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  • Not yet sure why I’m enjoying Inkwell so much so I’ll just roll with it. Nice work, @manton! Looking forward to its further development.

    → 10:35 AM, Mar 11
  • Life Notebooks Assembly

    → 5:39 PM, Mar 10
  • Every year.

    → 4:56 PM, Mar 10
  • Improvisations on the Grand Piano by Aleksandra Ionowa

    Improvisations on the Grand Piano by Aleksandra Ionowa

    → 3:51 PM, Mar 10
  • The Mountain by Gorillaz

    The Mountain by Gorillaz

    → 2:30 PM, Mar 10
  • Marty Ehrlich's Dark Woods Ensemble: Emergency Peace by Marty Ehrlich's Dark Woods Ensemble

    Marty Ehrlich's Dark Woods Ensemble: Emergency Peace by Marty Ehrlich's Dark Woods Ensemble

    → 10:52 AM, Mar 6
  • Time & Condition by Maliks Emerging Force Art Trio

    Time & Condition by Maliks Emerging Force Art Trio

    → 7:34 AM, Mar 1
  • A Semblance: Of Return by Asher Gamedze

    A Semblance: Of Return by Asher Gamedze

    → 12:16 PM, Feb 28
  • Corporate Bonuses Rise Like Smoke

    → 1:00 AM, Feb 28
  • Song Of Songs by Woody Shaw

    Song Of Songs by Woody Shaw

    → 1:38 PM, Feb 27
  • Globe Unity by Alexander von Schlippenbach

    Globe Unity by Alexander von Schlippenbach

    → 10:09 AM, Feb 27
  • New Jewish Music, Vol. 5 - Nobles, Bardanashvili, Klartag, Trigos by Andrew Megill, Choeur de l'Orchestre Symphonique de Montréal

    New Jewish Music, Vol. 5 - Nobles, Bardanashvili, Klartag, Trigos by Andrew Megill, Choeur de l'Orchestre Symphonique de Montréal

    → 11:06 AM, Feb 25
  • → 7:02 PM, Feb 17
  • Gowanus Canal

    Brooklyn, NYBrooklyn, NY

    → 2:49 PM, Feb 17
  • Bajas Fresh by Bitchin Bajas

    Bajas Fresh by Bitchin Bajas

    → 8:38 AM, Feb 13
  • Parallels and Confluence: Bugang and Pasig Rivers by Susie Ibarra

    Parallels and Confluence: Bugang and Pasig Rivers by Susie Ibarra

    → 7:39 PM, Feb 9
  • Cello in my life by Mesías Maiguashca

    Cello in my life by Mesías Maiguashca

    → 7:37 PM, Feb 9
  • Music From Grizzly Man by Richard Thompson

    Music From Grizzly Man by Richard Thompson

    → 6:32 PM, Feb 4
  • The Bottle Tapes by Various artists

    The Bottle Tapes by Various artists

    → 5:41 PM, Jan 26
  • The Way Things Are, It’s More Than Sin

    → 10:50 AM, Jan 22
  • Court Street Last Sunday Night

    Brooklyn, NYBrooklyn, NY

    → 9:05 PM, Jan 20
  • NAKATANI GONG ORCHESTRA by Tatsuya Nakatani

    NAKATANI GONG ORCHESTRA by Tatsuya Nakatani

    → 8:27 PM, Jan 20
  • TRACES by Cosmic Ear

    TRACES by Cosmic Ear

    → 8:25 PM, Jan 20
  • Sephardic Dialogues by The Sephardics

    Sephardic Dialogues by The Sephardics

    → 11:24 AM, Jan 18
  • Explosions (1965) by Bob James Trio

    Explosions (1965) by Bob James Trio

    → 7:45 AM, Jan 18
  • Catherine Norris

    Or Kathy Norris,1 was a cellist here in New York for a few years in the mid- to late-1960s. She played on two of my favorite records, At Judson Hall by Noah Howard and Intents And Purposes by The Bill Dixon Orchestra.2 She also appeared on a Dixon-produced record by The Robert F. Pozar Ensemble, whose namesake was also known as Cleve Pozar. I came across Cleve Pozar via this terrific piece by Hank Shteamer and some other info at 50 Feet of Elbow Room, and to be frank, Pozar is a whole rabbit hole of his own, worth pursuing but not so deeply with regard to cellist Catherine or Kathy Norris.

    In a way, it’s no surprise that I can’t find anything about her or evidence of further recording sessions. To those of us who listen to Noah Howard or Bill Dixon or Cleve Pozar, these musicians are titans, progenitors of music that pushed the boundaries of both jazz and solo and ensemble improvisation. But they’re either major minor figures or minor major figures in the broader history of creative music. Their current stature is defined by their status as makers of nearly irretrievable music, makers of records lost to the fray of their original moment. That is, this is not music that was ever popular, and however much “everything” is available online, anyone who has spent anytime looking for these outside, fugitive recordings knows this isn’t true. Collector’s prices can be prohibitive for titles that were privately printed in small numbers, and unless a fellow traveler has made a rip available, there’s maybe YouTube and probably nothing. And if one is looking for a session player, there’s little or no chance at all of finding them elsewhere.

    But for the moment, I wonder if Ms. Norris is easy to find but not where I’m looking, or if she left New York and stopped playing music, or perhaps she’s due for renewed interest and someone is working on it right now?


    1. Not to be confused with Kathi Norris.↩︎

    2. This one isn’t streaming anywhere as far as I can tell.↩︎

    → 8:30 PM, Jan 17
  • At Judson Hall by Noah Howard

    At Judson Hall by Noah Howard

    → 7:12 PM, Jan 17
  • Noah Howard at Judson Hall

    → 9:15 PM, Jan 15
  • J.S. Bach: Complete Cello Suites (The 2023 Sessions) by Jean-Guihen Queyras, Johann Sebastian Bach

    J.S. Bach: Complete Cello Suites (The 2023 Sessions) by Jean-Guihen Queyras, Johann Sebastian Bach

    → 7:37 AM, Jan 12
  • Throwing Shapes by Throwing Shapes

    Throwing Shapes by Throwing Shapes

    → 9:16 PM, Jan 9
  • Warm and Cool by Tom Verlaine

    Warm and Cool by Tom Verlaine

    → 9:58 AM, Jan 9
  • Natural Sonic by Yoshiaki Ochi

    Natural Sonic by Yoshiaki Ochi

    → 9:17 PM, Jan 7
  • Vol III: Ancestros Futuros by Cochemea

    Vol III: Ancestros Futuros by Cochemea

    → 7:59 AM, Jan 6
  • Live at Widney High December 26th, 1971 by Pan Afrikan Peoples Arkestra Led by Horace Tapscott

    Live at Widney High December 26th, 1971 by Pan Afrikan Peoples Arkestra Led by Horace Tapscott

    → 7:56 AM, Jan 6
  • Big Majestic by Ellen Reid

    Big Majestic by Ellen Reid

    → 6:35 PM, Jan 3
  • Remnants by Virgo

    Remnants by Virgo

    → 6:12 PM, Jan 1
  • Favorite Spot

    Brooklyn, NYBrooklyn, NY

    → 1:00 AM, Jan 1
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